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Standing face-to-face (leg raised)
M/F · Vaginal penetration · Standing
Posed figure

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Keypoint template
Attributes
- Position family
- One-on-one
- Primary act
- Vaginal penetration
- Partner arrangement
- Standing
- Penetration type
- Vaginal
- Facing
- Face to face
- Dynamics
- Thrusting
- Support / surface
- Standing, unsupported
- Participant count
- Two
- Composition code
- M/F
- Source medium
- Both
- Physical difficulty
- Moderate
- Prevalence in adult media
- Common
- Intensity tier (compliance)
- Explicit
Common camera framing
Description: Upright face-to-face penetration only works once the angle is opened, and the raised leg is what opens it: both partners stand facing each other while the receiving partner lifts one leg and hooks it over the penetrating partner's hip. The stance leaves the receiving partner balanced on a single foot, so the penetrating partner's arms take part of the load, gripping the raised thigh or wrapping the waist. Thrusting stays shallow compared with horizontal positions but the full-length body contact compensates.
Variations: The raised leg held at the knee or at the ankle; a wall behind either partner for stability; a height mismatch corrected with a step under the shorter partner.
On camera: The raised-leg line is the frame itself; a shower and on-location staple, shot in profile or wide to keep both standing bodies whole.
AI design considerations: Two upright facing figures with one hooked leg bridging them. The lifted knee's height sets the read; keep the standing leg planted and vertical or the pose loses balance credibility.
Historical provenance
Where this position appears in historical sex manuals, erotic art & literature · full timeline →
- Sthita (the steadied congress)Indian (Gupta era) →
Kama Sutra — Vatsyayana · c. 3rd century CE
Standing against a wall or pillar.
- Utthita-bandha (standing class)Indian (late medieval) →
Ananga Ranga — Kalyanamalla · 15th–16th century CE
- Standing maithunaIndian (medieval temple tradition) →
Khajuraho & Konark temple sculpture — Chandela and Eastern Ganga sculptors · c. 950–1250 CE
The upright embracing couples that anchor the temple friezes.
Depicted in the historical record
Museum-attested works showing this arrangement · full timeline →
- Torii Kiyonaga, Sode no Maki ("Handscroll for the Sleeve")Shunga →
c. 1785 · MFA Boston & British Museum
Generating this position
A starting prompt composed from the catalog vocabulary. Every tag is verified to exist and not be deprecated. Compose across wardrobe, scene and expression in the prompt builder.
Booru-tag checkpoints
1boy, 1girl, hetero, standing_sex, standing_on_one_leg, holding_another's_leg, hug, standing, vaginal
negative: bad_anatomy, bad_hands, censored, monochrome, 2girls, 3girls, 2boys, 3boys
Image to video (Thrust (shallow))
short-range reciprocating motion along the body axis, small amplitude, hips leading, camera is locked on a tripod and does not move.
Motion only. The still you condition on must already carry the position, wardrobe and scene: restating them causes drift.
Identifiers in other vocabularies
How this position is denoted elsewhere, and what each mapping discards. Full table in the crosswalk.
standing_sex fixes only that the receiver is upright on one or both feet. It discards the face-to-face orientation (the wiki's own example list runs sex from behind and standing doggystyle alongside standing missionary), the single leg lifted and hooked over the penetrating partner's hip, the fact that the penetrating partner is also standing, and the vaginal act. The orientation is not recoverable from this pool at any strength: there is no face-to-face and no looking_at_another tag in it (both verified absent), and hug only asserts the embrace, not which way the bodies face.
Sthita (the steadied congress)closeKama SutraAttested source name. Standing against a wall or pillar.
Utthita-bandha (standing class)closeAnanga RangaAttested historical name for this position in the named source; the source wording may describe a variant of the general form.
Standing maithunacloseKhajuraho & Konark temple sculptureAttested source name. The upright embracing couples that anchor the temple friezes.
Actions this position admits
The position fixes who is where. These are the beats that are physically possible in it, from the action catalog. Contact through the characteristic beat is maintained.
Camera moves that suit the geometry: Orbit (360), Arc (partial), Push in, Tilt reveal.
Related positions
Part of the Erotic Pose Catalog open dataset · CC BY 4.0 · keypoints are idealised COCO-17 templates.